어느 날 텔아비브에서 홀로 말년을 보내시던 할머니의 부음이 들려온다. 먼지가 켜켜이 쌓여있는 그녀의 유품을 정리하다 감독은 모호하면서도 거대한 역사적 사실과 맞닥뜨린다. 자신의 유대인 할아버지 할머니가 악명 높은 나치 전범 레오폴드 폰 밀덴슈타인 부부와 사이좋게 찍은 사진을 발견한 것이다. 과연 자신의 조부모는 나치의 친구였을까 아니면 적이었을까?

The flat on the third floor of a Bauhaus building in Tel Aviv was where my grandparents lived since they immigrated to Palestine in the 1930s. Were it not for the view from the windows, one might have thought that the flat was in Berlin. When my grandmother passed away at the age of 98 we were called to the flat to clear out what was left. Objects, pictures, letters and documents awaited us, revealing traces of a troubled and unknown past. The film begins with the emptying out of a flat and develops into a riveting adventure, involving unexpected national interests, a friendship that crosses enemy lines, and deeply repressed family emotions. And even reveals some secrets that should have probably remained untold…